[ home ]   [ biography ]    [ gallery 1 ]   [ gallery 2 ]    [ contact ]   [ references ]

wenig2.gif (2713 Byte)


Klicken Sie auf das Bild, um es zu vergrößern!
1. without titel (three women)
acryl with beaten gold on paper
140 cm x 100 cm

Klicken Sie auf das Bild, um es zu vergrößern!

2. without titel (pheasant)
acryl on paper
70 cm x 100 cm
oben - unten

a

Klicken Sie auf das Bild, um es zu vergrößern!

 

3. the bear awakes
acryl on paper
100 cm x 140 cm

 

The graphic, wether abstracts workmanship of the internal considerations entraps the viewer to stay on the surface, whereupon the ambiguity reveal itself after a lengthy dialogue.

 
"
The nature in his view, the thinking of the artist and shaman arises mainly in pictures and graphics of animals, persons and landscapes.
Klicken Sie auf das Bild, um es zu vergrößern!

 

4. school day friends
painting in oil on canvas
140 cm x 180 cm

oben - unten

 

acryl on paper
100 cm x 70 cm

Klicken Sie auf das Bild, um es zu vergrößern!
5. without titel (two heads)

  a
In the vis-a-vis the apparent image of a bird, first you awaken to the - not visible - mirror image in the eye of the animal, that here a dialogue takes place - not only a conversation: image - viewer, means animal - man, but also man - man, that is artist - contemplator.

Klicken Sie auf das Bild, um es zu vergrößern!
6. landscape
watercolors on hand-made paper
113 cm x 81 cm

Often, not always, you must realize the animals as men too, whose appearance has changed. It is a absolutely shamanistic approach and painting. The relations of the elements - animals, men, sun, water etc. - to each other expands the range for natural forces and positions the man, in spite of all his abilities, where he belongs to - a small link in the chain

ou3.gif (972 Byte)

a

Klicken Sie auf das Bild, um es zu vergrößern!
7. bactrian camels
etching and aquatint
78 cm x 55cm
limited edition: 30

 He works in different kinds of executions: Acrylics on paper, partly combined with colored pencil, etchings, aquatint, paintings in oil, watercolores, linocut and of course drawings. Generally the painter don't try anyway to show the photographic copy, what the eye sees, but to mirror the internal viewing and so he informs by a spontaneous kind of painting. Acryl, upholded fluid, flinged loosely on paper, sprayed, dropped, coated, painted, but above all at graphic paintings, controlled - coincidences managed, navigated.

In particular the ambiguities of the profound etchings become to an visual pleasure, if you take up time for the freedom of the emerging connotations.

ou4.gif (972 Byte)

aa

Klicken Sie auf das Bild, um es zu vergrößern!


8. buzzard
etching and aquatint
40 cm x 50 cm
limited edition: 20


9. yinyang
etching and aquatint
35 cm x 43 cm
limited edition: 30

Klicken Sie auf das Bild, um es zu vergrößern!

oben - unten


a

Klicken Sie auf das Bild, um es zu vergrößern!
10. bear
acryl + colored pencil on paper
70 cm x 100 cm

Klicken Sie auf das Bild, um es zu vergrößern!
11. pheasant cry
acryl on paper
70 cm x 100 cm

Klicken Sie auf das Bild, um es zu vergrößern!
12. elk
acryl + colored pencil on paper
70 cm x 100 cm

oben - unten

 

linie.gif (985 Byte)

[ home ]   [ biography ]    [ gallery 1 ]   [ gallery 2 ]    [ contact ]   [ references ]   [ upstairs ]

© Heinz Wenig 1999-2002

design golden@annablume.de